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    Kayi Kayi Nampitjinpa, Untitled, 2005

    Kayi Kayi Nampitjinpa Indigenous Australian (Pintupi), b. 1945

    Untitled, 2005
    Acrylic on canvas
    152 x 182 cm
    59.9 x 71.7 inch
    This work is accompanied by a certificate of authenticity
    Copyright Estate of the Artist
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EKayi%20Kayi%20Nampitjinpa%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUntitled%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2005%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EAcrylic%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E152%20x%20182%20cm%3Cbr/%3E%0A59.9%20x%2071.7%20inch%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3EThis%20work%20is%20accompanied%20by%20a%20certificate%20of%20authenticity%3C/div%3E
    This painting depicts designs associated with the swamp and rockhole site of Ngaripungkunya, west of the Kiwirrkura Community in Western Australia. In ancestral times a large group of women camped...
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    This painting depicts designs associated with the swamp and rockhole site of Ngaripungkunya, west of the Kiwirrkura Community in Western Australia. In ancestral times a large group of women camped at this site before travelling east, passing through Kiwirrkura and heading north-east for Tarkul and Wilkinkarra (Lake Mackay) afterwards. The rockholes at this site are depicted by the roundels in this painting.


    While at this site they gathered large quantities of the edible fruit known as pura, (Also known in Pintupi as pintalypa) or bush tomato from the small shrub Solanum Chippendalei. This fruit is the size of a small apricot and after the seeds have been removed, it can be stored for long periods by halving the fruit and skewering them onto a stick.


    Please note that all First Nations Art is created from a so called ‘Birds Eye’ view. This means that the paintings can be hung either horizontally as well as vertically.

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    Provenance

    Painted for Yanda Aboriginal Art, Alice Springs, Australia

    Exhibitions

    Ladies from Papunya, SmithDavidson Gallery, Amsterdam, The Netherlands, 2024

    Papunya 50 Years, 1971 – 2021, SmithDavidson Gallery, Amsterdam, The Netherlands, 2021

    East meets West, SmithDavidson Gallery, Amsterdam, The Netherlands, 2018

    Signs and Traces. Contemporary Aboriginal Art, Zamek Culture Centre, Poznan, Poland, 2015

    Literature

    Signs and Traces. Contemporary Aboriginal Art, Poznań: Art | Ykwariat, 2015, p. 35 (illus.)
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