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    Esther Giles Nampitjinpa, Tuli Tjuta (Sandhills Many), 2009

    Esther Giles Nampitjinpa Australian Indigenous (Pintupi/Ngaatjatjarra), b. 1948

    Tuli Tjuta (Sandhills Many), 2009
    Acrylic on canvas
    122 x 182 cm
    48 x 71.1 inch
    This work is accompanied by a certificate of authenticity
    Copyright Estate of the Artist
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EEsther%20Giles%20Nampitjinpa%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ETuli%20Tjuta%20%28Sandhills%20Many%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2009%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EAcrylic%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E122%20x%20182%20cm%3Cbr/%3E%0A48%20x%2071.1%20inch%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3EThis%20work%20is%20accompanied%20by%20a%20certificate%20of%20authenticity%20%3C/div%3E
    This design represents the most important geographical feature of the Western Deserts (Great Sandy Desert, Gibson Desert, Little Sandy Desert), being the east/west parallel sand dunes which can run unbroken...
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    This design represents the most important geographical feature of the Western Deserts (Great Sandy Desert, Gibson Desert, Little Sandy Desert), being the east/west parallel sand dunes which can run unbroken for hundreds of kilometres and in places attaining heights of 30 metres.


    Esther paints her mother and fathers dreaming and the traditional homelands associated with her ancestral heritage. These include the sites of Yumari, Punkilpirri and Tjalili. These sites are important for ceremonies and as reliable sources for water and food plants. Esther’s works incorporate the sand-hills (tuli) and rock escarpments (puli) of her traditional homeland.


    The representation of landforms is associated with the physical and spiritual connection to the earth and can be seen in decoration such as body scarifying, ground designs and incised wooden implements.


    The bold and strong flowing lines of this painting on the deep red background gives the viewer a good sense of the immense scope of the Australian Western desert and its “Tuli Tjuta” (many sand-hills).


    Please note that all First Nations Art is created from a so called ‘Birds Eye’ view. This means that the paintings can be hung either horizontally as well as vertically.

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    Provenance

    Painted for Yanda Aboriginal Art, Alice Springs, Australia

    Private collection, The Netherlands

    Literature

    TRA, Edge of Becoming, Palazzo Fortuny, 54th edition La Biennale di Venezia, Venice, Italy, p. 77 (illus.), 
2011
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