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Terry O’Neill (1938–2019) was one of the most influential portrait photographers of the twentieth century. Working largely from the 1960s onward, he documented a generation of artists, performers, and public figures at the moment when celebrity culture was rapidly changing. Rather than staging idealised images, O’Neill focused on access, timing, and observation. His photographs are defined by a sense of closeness, often made possible by long-term relationships with his subjects.
The works in Meet the Stars reflect the breadth of O’Neill’s practice. Musicians such as The Rolling Stones, David Bowie, Amy Winehouse, Bruce Springsteen, Diana Ross, Tina Turner, The Who, and The Beatles appear both self-aware and unguarded. Film icons including Faye Dunaway, Audrey Hepburn, Brigitte Bardot, Robert Redford, Roger Moore, and Roger Daltrey are shown away from red carpets and studio sets, captured in moments of pause, confidence, or reflection. Alongside them stands Johan Cruijff, whose presence highlights O’Neill’s interest in charisma beyond the entertainment industry.
Many of these photographs have become closely associated with the public image of their subjects, yet they resist spectacle. Dunaway sits by a pool the morning after the Academy Awards, Bowie leans forward in a sharp yellow suit, Winehouse meets the camera directly, and Cruijff moves through everyday spaces with quiet intensity. O’Neill’s compositions are often simple, allowing posture, gesture, and expression to carry meaning. Black-and-white images sit alongside colour works, reinforcing shifts in time while maintaining a consistent visual language.
What unites the selection is O’Neill’s ability to balance distance and familiarity. His photographs acknowledge fame, but they do not depend on it. Instead, they suggest that celebrity is temporary, while character endures. Meet the Stars invites viewers to look beyond reputation and recognise the individuals who shaped popular culture, not as symbols, but as people observed in precise, unguarded moments.
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"I just try to take pictures that tell a story – perhaps in a candid and unconventional way. I think you can either see a picture or you can’t. I just capture the moment as it is." - Terry O'Neill
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About Terry O'Neill
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Terry O'Neill
Faye Dunaway the Morning After, 1977C-Type print with French passe-partout and museum glass in solid black wooden frame
76 x 76 cm
30 x 30 inch
Edition of 50 -
Terry O'Neill
Kate Moss, 1971Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
51 x 61 cm
20 x 24 inch
Edition of 50 -
Terry O'Neill
The Who in England, 1975Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
102 x 102 cm
40 x 40 inch
Edition of 50 -
Terry O'Neill
Tina Turner in London, 1993Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
76 x 76 cm
30 x 30 inch
Edition of 50 -
Terry O'Neill
Roger Daltrey in Sussex, 1978Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
51 x 41 cm
20 x 16 inch
Edition of 50 -
Terry O'Neill
Amy Winehouse in London, 2008Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
51 x 41 cm
20 x 16 inch
Edition of 50 -
Terry O'Neill
Bruce Springsteen, 1975Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
51 x 41 cm
20 x 16 inch
Edition of 50 -
Terry O'Neill
Diana Ross in London, 1981Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
51 x 41 cm
20 x 16 inch
Edition of 50 -
Terry O'Neill
Brigitte Bardot smoking on set, 1971C-Type print with French passe-partout and museum glass in solid black wooden frame
61 x 51 cm
24 x 20 inch
Edition of 50 -
Terry O'Neill
Roger Moore as James Bond poses as superspy on the film set of 'Live and let die', 1973Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
51 x 41 cm
20 x 16 inch
Edition of 50 -
Terry O'Neill
Robert Redford on a motorcycle, 1974Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
51 x 41 cm
20 x 16 inch
Edition of 50 -
Terry O'Neill
Johan CruijffArchival pigment prints with passe partout and wooden frame
60 x 50 cm
23.6 x 19.7 inch
Edition of 50 -
Terry O'Neill
The Rolling Stones, 1964Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
102 x 152 cm
40 x 60 inch
Edition of 50 -
Terry O'Neill
The Beatles in Manchester, 1963Archival pigment print with French passe-partout and museum glass in solid black wooden frame
102 x 152 cm
40 x 60 inch
Edition of 50 -
Terry O'Neill
Audrey Hepburn lounging by the pool , 1967Silvergelatine print with French passe-partout and museum glass in solid black wooden frame
41 x 51 cm
16 x 20 inch
Edition of 50 -
Terry O'Neill
Johan Cruijff in StadiumArchival pigment prints with passe partout and wooden frame
50 x 60 cm
19.7 x 23.6 inch
Edition of 50
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Meet the Stars: Terry O'Neill
Current viewing_room
Meet the Stars presents a curated selection of photographs by Terry O’Neill, tracing five decades of cultural history through music, film, fashion, and sport. The viewing room brings together intimate portraits and public moments, revealing how fame, personality, and time intersect in O’Neill’s lens.


